Wednesday, November 21, 2007

In every hitchhiking experience there will, inevitably be, a kidnapper van, more specifically--white, windowless and commonly sighted near food services.


Ever since I’ve moved to Europe I’ve taken up motorcycle riding, whiskey drinking, the occasional cursing, leather—always black—and hitchhiking. Ok, so maybe just the last one, and maybe just once, I know, I’m a rebel.

It all began on a lovely Thursday afternoon. Doesn’t it always begin on lovely afternoons?

After a lengthy taxi ride down a never ending road, a last, we reached our destination: the White Cliffs of Dover. Serene, I thought, as the taxi drove away, is there a reason why no one was gallivanting as we were on this lovely Thursday afternoon? So what if dusk was setting in, so what if a rainstorm was in the makings, as far as I was concerned it was still Dover. I suppose this is the line where the American tourist defers from the European native.

The visit began as planned, running aimlessly along the rolling green hills, taking extremely staged photos and squinting my eyes with the hope of possibly deciphering France in the distance (fruition was not in works.)

Soon it was dark, and from classes like RADS and elements like “basic street smarts” I concluded that four girls should not be alone on the Cliffs of Dover in the dark. Sure I can strike a mean punch, but do I really want to dirty my fist? Don’t answer, just read on…

“I’m so thankful God blessed us with good weather,” almost sang Morgan.

Well, God, he liked Morgan’s praises of song, he liked them so much in fact that he decided to sing the whole group a song back of his own. First the song began in a light drizzle, which soon became a steady rain, yet quickly was a violent downpour, oh, but it gets better, about one minute later, it was haling. On the cliffs of Dover, in the black night, the ocean thrashing, the wind blowing, the hail cutting into my face, my mascara painting a clown out of my face, completely alone: romantic? Not, exactly.

After rather quickly discovering the cell phone did not work, we decided we had no choice but to walk, how far? We did not know. Would we live? Honestly, it depended on how strong our bodies were against the cold. I for one am the weakest link, so most likely would have died first, then Mindy perhaps, followed by Morgan, solely out of pity, and Charissa would have perished some hours later after wondering off on her own. Luckily this scenario did not unfold, as a woman stopped and we found out how to properly utilize our cell phone.

“The man said I’d be a good forty minutes,” Morgan informed the group.

I looked down at my blue fingers and wondered how long the blue would remain in my body after death.

“Give me the phone,” I said.

“Hello…umm, right…it’s just, if you don’t come get us soon, we’re not going to…”

“Melissa, do not tell the taxi man we’re going to die!” shouted Morgan’s voice solely into my right ear.

“It’s just we might not...”

“Melissa!”

I paused, “someone might not be alright.”

With that Freddy at the taxi company knew I meant business and was all on it (Freddy seemed reliable like that,) the only problem was, when I hung up I suddenly realized that dear Freddy wasn’t wholly aware of our location, actually, not even remotely aware.

What do we do, we can’t even explain this deserted road location to Freddy, what to do?

Out of the corner of my eye I watched, I watched as Mindy’s arm stretched boldly into the night air, I was convinced she was getting ready to give a war call, or possibly had I caught her mid-Macarena? But, no, her little thumb boldly popped out, and pretty soon the whole clan of us had our thumbs out. Low point—define a low point?

It’s hard being rejected in life, especially when you’re a hitchhiker; my feelings were seriously “toyed with” as each car passed on by, sure we were a tad wet, maybe not in the prime of our beauty—they should have picked us up anyway.

My personal favorite rejection was as follows: “honk, honk!” I cranked my neck to see an “adorable” white, windowless, “kidnapper van” pass us up. Now, I’m going to be honest, that rejection was more of a comfort then anything.

Do not fear my friends, eventually a beamer pulled to the curb and picked us up. And don’t worry; it was completely safe, only one of us got chopped up in little pieces. Ok, slightly distasteful, sorry…we all made it back safely—praise the Lord!

"She 's been sick for some time--thank you for asking. No one asks, about Sprinkles."--Angela, The Office


Tuesday, November 06, 2007


Invasion of the Irish

Now I don’t normally lye in bed at 12:15, blaring the sappy sounds of Ginny Owens, with a laptop on my lap and an earth green facemask caked on my face—but today this was the case. Let me qualify: I had been up since nine, but seeing that the air temperature in my room is akin to what I would only assume a poorly insulated igloo, I had not dared to abandon my sanctuary of blankets. Secondly, I had just received this new Ginny Owens song which resonated well with my life, so I thought why not blare this on repeat, sure it’s a little melancholy, but who’s going to judge? Thirdly, the laptop on bed was merely a stroke of convenience—the only way I could write my paper while in the sheer decadence of my sheets. Then lastly, yes, that early moss-like clay mask, that my friends, is my sad attempt at maintaining attractive pores—no other reason. So alone I sat, and alone I was. Was.

Bang, bang, bang. I was convinced God himself was tearing down my door. Suddenly the key hole started clanking and a tan vested grandpa-esk, jolly Irish man walked into my room like it was no ones business, followed by what I can only assume was his wife and assistant who walked about six steps into my box, I mean room (it’s quite small,) plopped down a trendy lawn chair and took a seat.

“It’ll only be a minute, got to check your electric plugs,” almost sung the Irish fellow, not yet aware of the state of my face.

“I—ahh, I have a facemask on…” I like to state the obvious then let the other party interact as they will.

The corners of his aged lips fought with what I’m assuming was roughly sixty years of maturity to refrain from what could be considered impolite laughter at my state. It’s ok, just laugh, oh please, someone laugh…

“What’s wrong with your face?” He asked, almost concerned.

I pulled up my ironically matching green blanket covering my face, and sunk deeper into my sheets, loosing my treasured spot in Language and the News Media, feeling somewhat ill.

“It’s for my skin.”

“Anti-aging,” the wife chimes in, implying an evident ignorance to the fact that twenty-years-olds condone little time for anti-aging.

“It’s ok, we don’t care at all about your face, just checking your plugs,” chimes in the Irish fellow, with obvious sympathy in his voice.

Note to self: gee, I’m cool.

Thursday, November 01, 2007

Something in the Air
...because London fall is THAT good....

Deep within the mornings shiver, a silence slow to speak,
My heart, it leaves, all the blither, to partake in a world inside me,
A messy bun, mud-caked running shoes, a silver key strapped to my lace, and as the dawn decides whether to paint autumn or winter, in the shadows of this morning I sneak,
Dust settles down, my feet almost soar past this ground; heaven above is all I see,

There’s something in the air today, a breeze that pleas to beckon us folk,
Something in the way the wind blows, in the temperature of these racing winds—and I can feel a change, no trite or subtle change, but a change for all that’s been broke,

Asphalts edgy, oh so edgy, so I ditch this trial for some unhampered soil,
Trust is sketchy, oh so sketchy, but today trusts seems worthwhile,
There’s a tear in my left eye, it’s been falling since I began, and as I watch the wind break it sings back to this toil,
A child-like heart, what can I say, I twirl under trees, I crunch on every leaf, I think I made them smile,

There’s something in the air today, a spice God set to evoke,
Something in the way this season remembers, in the way I no longer have to forget—and I can feel a change, no trite or subtle change, but a change for all that’s been broke,

And in these unseen moments, these blessing we often overlook, I am there,
I watched each leaf, of crimson and gold, I watched them spiral, this magic so often untold,
Those buses and trains, fancy cars and stuffy planes can keep on dreaming, but oh how they should care,
Because in these shadows—right past their clocks, the season is changing in an instant or two, autumn seduces her winter, yet they just keep on growing old,

There’s something in the air today, a blessing we often fail to invoke,
Something in the way life twists in an instant, in the moments we let pass us by—and I can feel a change, no trite or subtle change, but a change for all that’s been broke.